Our interview with James Spader and Paul Bettany was simply hilarious! Both of these gentleman were open, funny and had us truly giggling during the interview.
They share what it was like being on the set of Marvel Avengers Age of Ultron, the make up and prosthetic process for becoming their characters, what it was like when they found out they got the parts and so much more.
I am so excited to share our Avengers Age of Ultron interview with James Spader and Paul Bettany finally! It has been so hard keeping these interviews quiet and not screaming from the rooftop some of the amazing tidbits they shared with us.
I kicked off the interview by asking James Spader if he was on set for the movie or if he just did the voice in a booth.
JAMES: I had multiple sessions doing additional dialog recording. But it really was, sort of new stuff to further define, clarify and so on and sort of distill the prism. But most of the dialog that you hear in the movie and most of what you’re looking at, we shot on the set just in a fairly conventional fashion.
It didn’t feel conventional at the time, considering everything I was in to be able to film it but, it was all sort of filmed, the dialog was all from what we shot on the set doing scenes with the other actors as you would in any film or in any setting. And I was so pleased ’cause I haven’t seen the final film but I was very pleased, I saw a lot of footage during post production.
So I sort of saw, big sections of the entire film. And even in its sort of formative stages, it was remarkable to see, I haven’t seen face really yet fine-tuned ’cause that’s the most sort of precise and infinitesimal thing that they do in terms of trying to take advantage of my expressions and translate them into a metal guy.
But I was amazed that I saw, you know, with this magnificent body, and made out of vibranium and all the rest of it, this sort of technological wonder. To actually see my 55-year-old sort of very comfy physique, and to see all of my sort of gesture and posture and movements and expression and all of it was there. And then my son did see the film a couple of days ago.
And I said, “But how about the face?” And he says, “You know, I see you in the face.” He said, “Amazingly enough, considering it doesn’t really have a nose.” And he said, “I really saw your eyes and your expression and certainly head movements, everything. I saw it all there. So I was, it was worth it, I guess, to go through all of the arduous process of motion capture. Which is fascinating actually. Do you mind if I tell you just very quickly?
JAMES: [LAUGHS] but I’ll tell you a very funny thing. I’m just excited about it because somebody in an interview just before this had asked specifically about this and I hadn’t thought about it until now. But the very first day that I walked onto the studio lot, before I ever hit a set or anything, within a half hour, I walked into a room and they had cameras set up around the room in different, the room was a big empty room and there were cameras set up around and there was a bunch of guys with a whole bunch of laptops and women and so on all sitting around.
And they put me in a fractal suit, which is just a sort of of two piece, looks like you’re gonna go for a run, but has shapes and colors and things and all over it. And then they dotted up my face and they, put a big rig on my back and a big headgear rig that had two sort of antenna that come down that are cameras that are right here with headlights right here, so I’m lit right here.
They had me go through a range of motions and fingers, everything, head turns and all the rest of it. And then, they put it into some program on the computer or something and I stood around for about ten, fifteen minutes and fifteen minutes later I was, also set up around the room were these monitors, and in fifteen minutes I could walk in my outfit into the center of the room and turn my head, move my fingers, go like this, and I could look at a monitor and see a sort of formative stage of Ultron doing everything I was doing.
So right from the very first moment I arrived there, I knew what sort of, I could start getting a sense of what sort of physicality would be appropriate for that eight foot robot. And there was a guy there, quite small, who would’ve been proportionate to my height. I’m five-ten. He was very small. He sort of proportionate height to not Chris Hemsworth but maybe an average height avenger might be in proportion to me if I was eight feet tall.
And he was wearing a fractal suit, he was a stunt guy, he was wearing a fractal suit and all the gear as well, and they made him do the range of motion and everything else and within 15 minutes he and I would go move around the room and he was a different character and, and so I was able to see right away an eight foot Ultron, me as, as an eight foot Ultron with another, you know, actor who’s a proportionate height to what, you know, an average size person would be.
It was really amazing. So right from the very first moment I was already getting a sense of how to perform for this character.
I have a question for Paul. We always knew you as Jarvis. What was your reaction when you found out that you would be The Vision?
PAUL: Well, it was sort of vindication really because I had done, I had just come out of a meeting with a producer who told me my career was over. And I, this is a true story. And I sat on the curb in Hollywood with my feet in the gutter and my phone went and I looked at it and went, “Hello?” I didn’t recognize the number and it was Joss Whedon. He said, “Do you want to play The Vision?” And I went, it’s so quick these days, “yeah, I kinda do.” True story. So it was lovely.
How is it different for you on set? In the other movies where you’re playing Jarvis were you there interacting with the other actors or…?
PAUL ~ I was brought in at the last moment to solve any clarity issues the film had which was my superhero power as Jarvis. What was the difference? The difference was I had to go to the gym. I had to stop eating carbs. I finally got to be on set with a bunch of really lovely, creative, talented people. However, it also means that I have to show up at junkets now, you know? The Lord giveth and the Lord taketh away.
JAMES ~ I did not have to cut back on carbs. Somehow amazingly enough, those animators were able to slim me right down.
James, did you have to be convinced to play Ultron or were you ready the moment they asked you to play it?
JAMES: I had met about two to three years prior the telephone to me from Joss Whedon, I had met with Kevin Feige and Jeremy Latcham. My agent is also Sam Jackson’s agent. And so she’s very in tune with what’s going on in the Marvel world. And I have three sons.
I have never in my entire career ever chosen a film to work for the sake of my children. And most of the films that I’ve done they really shouldn’t watch. I remember I took my mother when she was in her eighties to go with me to Sundance to see this film I did called Secretary.
PAUL: What a schoolboy error that was!
JAMES: Both my mother and father have sat through some. they’re both passed away… but they both have sat, lovingly, they both have sat through, you know, just an array of perverted little movies that I’ve made. But in any case I wanted my second son was really… and he was about seven. He’s now 21 or 22. I’m terrible at ages, but in any case he was about 18 at the time, something like that, 18 or 19.
And he had all, he loved comics and loved superhero movies and fantasy and, you know, all that stuff. He just loved it. And then, by circumstance I also at the time I had a three-year-old son, again, and he was already sort of raiding his brother’s little figures and little things like that and was excited about it. And I just thought, I just want to make a film for them, you know? So I went in and I sat down with Kevin Feige and Jeremy Latcham and they had reached out to my agent and said, “You know, we’d love to sit down with James.”
And, you know, those sort of meetings are always just so brutal and fruitless. and I had said, “Really?” But, I mean, do they, and, and then my agent said, “Kevin doesn’t really meet with anybody unless there really is a genuine interest. And I said, “Great. Well then I’d love to talk to him.” So I sat down with him and I said, “I just would love to do one of these things and just be such fun.” And I told him the reasons why and I think he really responded to that ’cause that’s his fan base, you know? And, so we were sort of looking he was looking for something and I was sort of thing.
And then all of a sudden, I don’t know, there’d be things that came along along the way over the next like two years or so and, and he would be like, “I just don’t know if it’s the, you know. I know what James is looking for. He wants a really great bad guy and some really great something, you know, and everything.” And so, all of a sudden, about two or three years after that meeting, Joss Whedon walked into their offices and said, “You know, I don’t really have anyone else for this role except for James Spader.”
And they said, “Well, funny you should mention that ’cause we’ve been trying to find the, the right thing. And so the next thing was a phone call from Joss and, you know, as soon as I spoke to him and he… I’m sorry. I’ve never been able to answer anything in a short and precise… But anyway he said, “What the hell can I bring to, to an eight foot robot, you know? I don’t… That’s not my skill set.”
and he told me sort of what he was looking for in terms of the character. But he said, “You know, let me send you some- something to, look at ’cause the script is in revisions right now, but let me send you something so you can get a sense of what this character really is.” And he said, “In the comic books, the guy’s just sort of this raging robot. ‘I am going to destroy you’ you know?” He said I really want to extrapolate on that. So, he sent me these scenes that were, you know, threatening, intimidating, crazy, funny, quoting Emily Dickenson.
It was just such a weird, complex amalgamation of things. And I just read that. And as it turns out, Kevin Feige told me, you know, a couple of days later he said, “You know, Joss, those aren’t even scenes from the movie. Joss wrote those scenes just to send you, so, just so that you’d have a sense of the character.” I thought, what a lovely thing to do, you know, that he just wrote these scenes as this is what this character’s going to be like, an example of sort of who he is.
And they were really tailored for that. And he was absolutely right. It was all of that. Just a weird mix of crazy, scary, funny, poetic, you know, just a weird guy.
For Paul, how much of Vision was makeup and CGI?
PAUL ~ It was a lot of makeup, ha ha. It was sort of, I would sit in the chair and then you would wait for eternity to come and then you’d be… done. So it was all, it’s all real. From about here forward the prosthetics, well the prosthetic actually stops here, and then this was painted purple.
But they would have tracking dots on so that they would then move the circuitry could be on my face and, my musculature could move and you could still see me express things, ‘Cause we tried having full prosthetic that went over everything and we lost a lot of expression in the face. So thankfully, because that was really, really uncomfortable.
James, is there any part of your humor in Ultron?
Audience member~ Okay. ‘Cause we definitely see your mannerisms.
PAUL ~ And his world view, in fact. Global devastation and James’…
JAMES ~ I’m a great believer in chaos. But… no, yes. I mean, part and parcel of, sort of, but I think that’s true in any film or television show or play or, I mean, anything you do. I think that, you know, if the casting works, you’ve been cast because that person intuitively knows, that director intuitively knows that what they need, you’re going to be able to provide. And he was specifically looking for that.
He was looking for that sense of humor. And he was looking for that irreverence in marriage with the other aspects. And so he took advantage of it and you know, we would play with things and I’d make a suggestion. But I really was very faithful to what he was writing because he was really writing it so specifically to me.
PAUL ~ Right. And if you’re looking for a James Spader type there’s not many places to go, you know. It’s, like there’s a one-stop shop.
JAMES ~ And I think he probably, you know, the reason why he probably walked in to Kevin Feige and said, “James Spader’s who I’m thinking about for this and I don’t really have anyone else on the list,” is ’cause I think he probably, he’d already written to that.
Marvel Studios presents “Avengers: Age of Ultron,” the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.
Marvel’s “Avengers: Age of Ultron” stars Robert Downey Jr., who returns as Iron Man, along with Chris Hemsworth as Thor, Mark Ruffalo as Hulk and Chris Evans as Captain America. Together with Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye, and with the additional support of Don Cheadle as James Rhodes/War Machine, Cobie Smulders as Agent Maria Hill, Stellan Skarsgård as Erik Selvig and Samuel L. Jackson as Nick Fury, the team must reassemble to defeat James Spader as Ultron, a terrifying technological villain hell-bent on human extinction. Along the way, they confront two mysterious and powerful newcomers, Pietro Maximoff, played by Aaron Taylor-Johnson, and Wanda Maximoff, played by Elizabeth Olsen and meet an old friend in a new form when Paul Bettany becomes Vision.
Written and directed by Joss Whedon and produced by Kevin Feige, p.g.a., Marvel’s “Avengers: Age of Ultron” is based on the ever-popular Marvel comic book series “The Avengers,” first published in 1963. Louis D’Esposito, Alan Fine, Victoria Alonso, Jeremy Latcham, Patricia Whitcher, Stan Lee and Jon Favreau serve as executive producers.
Get set for an action-packed thrill ride when The Avengers return in Marvel’s “Avengers: Age of Ultron” on May 1, 2015.